
Their sound on this album is quite different from the other recordings I've posted.
It's curious in that it's the earlier of releases but it's a lot tighter and far more 'organised'.
Their output just got messier and messier - better and better, I think - whereas most get tighter and tighter.
And speaking of bands who got tighter and tighter [until they became hardly worth listening to], it's this album that inspires the trope commonly associated with Terminal Cheesecake: to be compared with the Butthole Surfers.
The guitar is certainly more central to the sound on this album, and it is grindy in that Paul Leary kind of way; but the overall sound has far more of a drone than the Surfers ever mustered, and with the bass really being the engine, the driving force of each track - rather like Jah Wobble leading those early PIL tunes - the tracks are more contained, more claustrophobic; determined entirely by bass and rhythm; much like industrial music.
At times, Pearlesque King of the Jewmost sounds more Rev Co than Butthole Surfers, with similar use of loops and sampling: mainly spoken word clips; freaky and gratuitous news reports on ritualistic murder, paranormal activity, irresponsible medical procedures, etc.
As for the title....
I haven't got a clue.
And that takes me back to my original thought.
What were Terminal Cheesecake really all about?
And just what did they think of their audience...?
Terminal Cheesecake - Pearlesque King of the Jewmost (1992)
Coils
Satan is Real
Drug
Ish Tseren
Coils: Chapter II
Messiah
Obscured
Mrs. Skinupski Speaks
Neu Seeland
CD rip to mp3s, artwork included.
Spiritual cheese here