Disenfranchised

Just how does an anarchist vote in the looming European elections?
Does an anarchist vote at all?

The trouble with not voting is that it doesn't prevent those seeking power from gaining it.
It could in fact give them more power; the party faithfuls will always subordinate themselves, willingly voting on the behalf of others, leading inevitably to minority representation.

But if you are of the same mind as Chumbawamba, then you'll recognise that these politicians, they're all the bloody same.
The names may have changed, but is there really any difference between Mr. Heseltine, Brown, Cameron or Griffin?

Never Mind The Ballots, Chumbawamba's second album, is a deeply cynical critique of Western democracy.
Much of the anger found on their debut release, Pictures of Starving Children Sell Records, gives way to pathos, and the band give us their elegy to democracy.

And it's not only aimed at politicians, 'Come on Baby (Lets Do The Revolution)' is a polemic targeting those who sell and buy into the 'anti' business, whether it be corporations who claim themselves green or the latest celebrity who's going to heal the sick.

Originally I did think this album was so much a product of its time that it wouldn't be worth posting; listening to it now, I realise that nothing's changed, this recording is just as relevant and vital as it was on release twenty-two years ago.
So how does an anarchist vote in the European elections?
Reluctantly, I guess.

Me?
I'll probably just spoil my paper.
Again.

Chumbawamba - Never Mind The Ballots (1987)

Always Tell The Voter What The Voter Wants To Hear
Come On Baby (Lets Do The Revolution)
The Wasteland
Today's Sermon
Ah-Men
Mr. Heseltine Meets His Public
The Candidates Find Common Ground.
Here's the Rest of Your Life!

Excellent cassette rip @320kbs.
Several tracks appear as single files as I didn't want to break the segues.
Gain some political conscience here

It's a nice sound, it's a happy sound, and it's er not doing anybody any harm

I like Chumbawamba.
I’ve always liked them, despite their irritating tub thumping.

And this is my favourite.

I had narrowed it down to this and Never Mind the Ballots, but in the end Pictures of Starving Children Sell Records is definitely the best Chumbawamba album.

Never Mind the Ballots is too much a product of its time; too plugged in to its own zeitgeist, and unless you were there, so to speak, it sounds a little like a historical tract.

Pictures of Starving Children Sell Records, however, has travelled through time incredibly well, and sounds as vital today – especially in our present state of economic crisis and potential ideological meltdown (those living under the Soviet Union didn’t think it could happen either) – as it did on release in 1986.

This album should be on the school curriculum.
It’s not preachy, but it does make you think.
And that’s no bad thing.
Is it?

But really, has music ever changed anything?
No.
After all, I don’t ever remember Curtis Lemay admitting that Charlie wasn’t so bad once 'All You Need is Love' had been piped round the world.

Music is really only important in the moment.
And I’m sure those who sang 'Feed the World' along with Sir Bob & co back in 1985 sincerely felt the world was gaining sustenance merely from their heartfelt harmonious exhalation.

But music really only connects with those who listen; and those who listen tend to be the last people that should be listening, because they know it all ready.
So protest music is merely rhetoric, and the audience nod and agree with everything that is being said.

But that said, we love it.

And I love this.

And Chumbawamba used a trumpet long before Belle and Sebastian or Ian Brown.

Which is another thing I love about them.

The stand out tracks here are numerous; but the longer more complex songs such as ‘How to Get Your Band on Television’, with its wonderful ‘Slag Aid’, are superb:

“In keeping with the fashion of charity, not change
Here’s our contribution, we’ve called it Slag Aid
For every Pop Star that we slag off today
A million pounds will be given away!”

Followed by a ‘slagging off’ of all the household favourites, concluding with a masterful attack on Cliff (choral sounds, intense light) Richard:

“On behalf of our viewers watching on telly
And on behalf of the millions with empty bellies
We’re donating something special that we’re all going to like
Cliff Richard, we’re going to nail you up to a cross tonight.”

The song cycle ends with a repeated refrain which keeps “on going round”, and the only way out of the repetitive cycle is to “burn the house of commons to the ground”.
Seems like a fairly logical solution when it’s put so eloquently…

‘Unilever’, adopting a punk riff and an in your face guide to ethical shopping, only adds to the vitriol and contrition.
Also features a great chuck at the end!

But as always, Chumbawamba are terribly slippery when it comes to being shoved into a genre, as they move from punk to folk to satirical variety numbers.

And why not?

O yeah, and I adore the Tony Blackburn sample.

Chumbawamba - Pictures of Starving Children Sell Records (1986)

Prologue

How to Get Your Band on Television

British Colonialism and the BBC

Commercial Break

Unilever

More Whitewashing

An Interlude, Beginning to Take it back

Dutiful Servants and Political Masters

Coca-Colanisation

And in a Nutshell: 'Food Aid is our Most Powerful Weapon'

Invasion

Vinyl rip @256kbs

There are some pops during the quiet bits, but they're few and far between.

But hey, it is a Porky Prime Cut,

so get yourself a slice here